Lando Buzzanca
1 Film
Lando Buzzanca
1 Included Film

From Wikipedia, the free encyclopedia Gerlando Buzzanca (born August 24, 1935 in Palermo) is an Italian comedy actor. He left high school in Palermo when he was 16 years old, and moved to Rome to pursue his dream of becoming an actor. In order to survive, he took many jobs: waiter, furniture mover, and a brief appearance as a slave in the film Ben-Hur. In his long career he often interpreted the role of the average Italian immigrant from southern Italy, who slowly began to enjoy moderate success during the years of the Italian economic miracle. His films showcased all the freshness of the 1960s, the 1970s and the heavier transition to the 1980s, focusing on the common life in several Italian cities such as Rome, Verona or Milan, balanced between personal happiness and professional achievement. Buzzanca often interpreted roles of a subordinate white collar worker, with a heavy vein of machismo, as a frustrated employee who tries to redeem his dull existence with his virility. He became famous for his role in the film Il merlo maschio, (The Male Blackbird), where in a provincial environment of cultural importance, the philharmonic orchestra of the Arena di Verona, he vents out his own frustrations, indulging into candaulism when he induces his bride to expose her naked body in the middle of a bridge in Verona. Some critics, in a lighter vein, have defined Buzzanca as a "Homo eroticus": a human being halfway between Homo erectus and Homo sapiens, who risked extinction in the 1970s because of the harsh struggle with feminism activists. Today, even though much less so, this male type is still found among Italian males. Buzzanca's fame is greater in foreign countries than in his native land, and in countries as France, Japan, Greece, Israel, Spain and Switzerland he is a renowned international stereotype of the Italian provincialotto, elegant, naif, always causing mischief, and not obtaining anything from it. Description above from the Wikipedia article Lando Buzzanca, licensed under CC-BY-SA, full list of contributors on Wikipedia.

Director: William Wyler
UHD 5.0 is the original mix, but more muffled than LaserDisc and even the previous Blu-ray's gentle remix. Atmos is revisionist.
1991 LD is Dolby Stereo matrix encoded from the original six track master and this was later upgraded to a 5.1 Dolby Digital version prepared for the first DVD. The 5.1 version may have had some slight tweaking in the process. This was reused for the DVD CE boxset and then the 5.1 on Blu-ray seems like a slight upgrade of the DVD track. (The first pressing from the UCE boxset had audio defects rampant on the BD. These were corrected for standalone pressings.) All 5.1s sound roughly the same as the LD 2.0 in terms of the mix-but the LD PCM mastering seems like the only one that is direct without any major processing. Sadly it only exists in matrix stereo and not in discrete.
The 50th Anniversary box set has some exclusive extras

Director: William Wyler
UHD 5.0 is the original mix, but more muffled than LaserDisc and even the previous Blu-ray's gentle remix. Atmos is revisionist.
1991 LD is Dolby Stereo matrix encoded from the original six track master and this was later upgraded to a 5.1 Dolby Digital version prepared for the first DVD. The 5.1 version may have had some slight tweaking in the process. This was reused for the DVD CE boxset and then the 5.1 on Blu-ray seems like a slight upgrade of the DVD track. (The first pressing from the UCE boxset had audio defects rampant on the BD. These were corrected for standalone pressings.) All 5.1s sound roughly the same as the LD 2.0 in terms of the mix-but the LD PCM mastering seems like the only one that is direct without any major processing. Sadly it only exists in matrix stereo and not in discrete.
The 50th Anniversary box set has some exclusive extras
1 film